Prop Projects


Crazy Quilt
Intimate Apparel, Fall 2025
Designed and built by Maxwell Martin
Show Props Budget of $750
Inspired by both the traditional 'Crazy Quilt' fad of the 1880s, and the prospect of Esther using her quilt as a fabric scrapbook.
Production Team
Director: Sidney Horton
Scenic Designer: Jennifer O'Kelly
Properties Designer: Maxwell Martin
Lighting Designer: David Fillmore
Costume Designer: Meredith Magoun
Sound Designer: Benjamin Stickels








Fully assembled, adding backing + batting
Assembling the quilt rows


Pieced together backing
Embroidery Detailing
Openable Money Pocket, hidden in the middle of the quilt


Gelatinous Cube
She Kills Monsters, Spring 2025
Designed and built by Maxwell Martin
Show Props Budget of $1000
Built to 'swallow' our actors with one side, and be able to reveal with another. Needed a team of two to manuever onto the stage. Used PVC Pipe, and a spandex stretch fabric. There was a skirt that covered the actors feet when it was picked up
Production Team
Director: Carly McMinn
Scenic/Projection Designer: James Duke
Properties Designer: Maxwell Martin
Lighting Designer: Jeff Childs
Costume Designer: Freddie Haward
Sound Designer: Montavious




Fully " skinned' cube- In the process of figuring out the globs on top.
Draping the fabric over the cube.
After painting, and giving more dimension with the 'globs'




Staff of Suh
She Kills Monsters, Spring 2025
Designed and built by Maxwell Martin
Show Props Budget of $1000
Built to look like a small spine, with a skull on top. Made out of air dry clay, and styrofoam.
Production Team
Director: Carly McMinn
Scenic/Projection Designer: James Duke
Properties Designer: Maxwell Martin
Lighting Designer: Jeff Childs
Costume Designer: Freddie Haward
Sound Designer: Montavious




Painting in progress
Beginnings of sculpting the staff.
Painting of the staff to look like obsidian




Dentist Mask
Little Shop of Horrors, Summer 2025
Designed and built by Maxwell Martin
Built in less than 3 hours total, with materials on hand.
Used EVA foam, acrylic tubing, large PVC pipe, and a large plastic tub from the hardware store.
Production Team
Director: Hank Rion
Scenic/Projection Designer: Jason Lee Courson
Properties Supervisor: Maxwell Martin
Lighting Designer: Mason Lopiccilo
Costume Designer: CJ Kelly
Sound Designer: Zach Kramer




Painting in progress
The start of putting the mask together.
Assembling the mask onto the harness/backpack.




Vulture Mask
Class Project, Spring 2025
Designed and built by Maxwell Martin for Costume Crafts I
Sculpted on top of a plaster cast of my face.
Used Worbla finest art as the shell.
Painted using acrylic paints.
Supervised by Prof. Meredith Magoun




Painting in progress
The start of putting the mask together.
Assembling the mask onto the harness/backpack.




Royal Scroll
Children's Theatre of Charlotte, Fall 2025
Designed by Bekah Achuff for Children's Theatre of Charlotte's production of Topsy Turvy Cinderella
Used a thick piece of muslin, and used a projector to trace the image, and then paint with black paint.


The start of putting the mask together.
Assembling the mask onto the harness/backpack.




Dentist Chair
Little Shop of Horrors, 2025
Painted and altered barbershop chair by Maxwell Martin
Used a viynl white spray paint to take the chair from black to white, and then used paint to age and make the chair feel 'nasty'. We then added velcro faux leather straps to buckle our actor in with.


Before altering the chair.
After aging/distressing




After using the Vinyl spray paint
Production Team
Director: Hank Rion
Scenic/Projection Designer: Jason Lee Courson
Properties Supervisor: Maxwell Martin
Lighting Designer: Mason Lopiccilo
Costume Designer: CJ Kelly
Sound Designer: Zach Kramer